Tuesday, November 30, 2010

FIRST CALLIGRAPHY LESSON

Koku Saityou shounin, written by Emperor Saga....                                          Image via WikipediaEven though I've lived in Japan for seven years, I never tried shodou (Japanese calligraphy) before. What took me so long? Well, I thought it would be an interesting experience... but Japan is so full of 'interesting experiences' so I felt no urgency. Somehow I never got around to it until yesterday.

The husband of a new friend I met recently is a calligraphy teacher. She invited me to their home for lunch and a calligraphy lesson. After a delicious meal of chirashi-zushi, home-made tsukemono, and the best oden I've ever eaten, we relocated to the lesson room It was a large, pleasant room with several low tables covered with dark felt, one wall covered by shelves stuffed with reference books, and a sink for washing brushes in one corner.


The teacher showed me a few different styles of calligraphy and asked me to choose the style I preferred. He said he liked a more abstract style, and that it was easier for beginners because it took less practice. That sounded good to me, and I thought the abstract characters looked very attractive. Then he gave me a demonstration of how to use the brush to achieve three different effects, just painting spirals. After I tried out the brush with a few spirals of my own, we started to paint the character that means pleasure, or fun, 楽.

The first few attempts were to practice the shape. Then he showed me some ways to make it more interesting - how to create edges that bleed by loading the brush with more ink, and pressing harder on the paper, and how to mess up the brush with the first few strokes so that the strokes after that became streaky and more artistic.

When I could produce something that looked kind of OK, he encouraged me to sign it, and we finished the session with me painting the character onto a shikishi - an art board used for various kinds of Japanese art - as a souvenir to take home.



I expected an interesting experience. I didn't expect that it would be so much fun. I suppose I thought that practicing writing the same character over and over again could get rather boring. I've never been the kind of person who enjoys repetition. But actually, I think part of shodou's fascination  is that every stroke is unique. Every stroke has to be what it is. You aren't allowed to go back and try to improve it. You can't fix mistakes. There is only one chance for that moment, and that piece of paper. And the nature of the elements involved (absorbent paper, watery ink, a brush, a human being) means that perfect replication is impossible. So the aim of shodou isn't to produce perfection through repetitious practice, like other forms of art, it's to express the artist's vision. And maybe to capture beauty. I think Kitagawa-sensei's calligraphy is very beautiful!

 I'm totally hooked after just one go!
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MY CHRISTMAS TREE


In New Zealand we always had a real Christmas tree. In fact the smell I associate with Christmas is a mixture of pine and Christmas lilies (Christmas comes in the middle of Summer in New Zealand.) But in Japan I have a 2 meter high fake tree. A couple of days ago, with some help of my neighbor, I took it out of the box and hung the decorations on it . After all, it's nearly December!


Some tree ornaments get passed down through families. They can develop histories and nostalgic associations. Like, "this one is cracked because Uncle George stood on it when he was a little boy, but Grandpa glued it together again," and "Auntie Mary made this angel at school when she was only seven years old."

I don't have those kind of tree ornaments... but in my third Christmas in Japan I had a tree decorating origami party with some Japanese friends. We made lots of origami ornaments out of pretty paper and I've used them every year since then. There is an origami Santa Claus, and a candle, and several cranes and balls, but my absolute favorite is the origami reindeer one friend made using a book she borrowed from the library.


Now whenever I see my origami ornaments I remember that party, and think of the friends who helped make my Japanese Christmas tree special.

Monday, November 29, 2010

HUNGRY CATERPILLARS

Near Amagase Dam in Uji, I photographed the fiercest caterpillars I have ever seen. They raced up and down the stems of their host plants, efficiently stripping the plants of leaves and tender stems. They were fat and a little scary, and not at all cute. Caterpillars are supposed to move slowly!






The same day I saw this caterpillar as well. He looks like an alien, but he's kind of cute.

Tuesday, November 23, 2010

SPIDER LILIES ON THE SHORE


Every year in early Autumn red spider lilies bloom everywhere in Japan - on the edges of rice fields, along riverbanks, and under trees beside Lake Biwa.


I'm told that because of the extremely long, hot Summer we endured this year the lilies were late, and much less plentiful than usual, but I was still able to see lots on my trip around Lake Biwa in October.




In my New Zealand hometown, Christchurch, the countryside is often brown and dry in Autumn. The trees turn the landscape gold, but there aren't many flowers, so I was thrilled by the vibrant red splashes of color so generously spread throughout the countryside.



Monday, November 22, 2010

MORE ABOUT NAGAHAMA












I have to go back to Nagahama. Not only is it surrounded by glorious countryside, and blessed with the most beautiful JR station in Shiga Prefecture, but it also boasts an area of beautiful old shops and traditional wooden homes, and an interesting history.



I always assumed that Nagahama meant long beach because there is a long beach there... but Wikipedia says that Hideyoshi Toyotomi named the town after Nobunaga. The kanji (長浜) mean long  beach but maybe it was a play on words as well.



Anyway Hideyoshi built a castle there in the 1570s.  Flintlock guns were produced in the area from 1544. Nagahama is also home to a famous bunraku puppet troupe, and I'm told they make beautiful glass ware there.


 

Friday, November 19, 2010

WHITE EGRETS ON LAKE BIWA


I've seen much more wildlife in Japan than I ever did in New Zealand. Probably that's because I usually traveled by car in NZ. So I saw a lot of farm animals, but rabbits and possums (both pests) were the only wild animals I saw. There are lots of interesting birds in New Zealand, but they're hard to observe from a car. Apparently we have herons and white egrets, but I never saw one.


So I was happy to find how abundant they are in Japan. You can see big water birds everywhere, probably because growing rice provides them with lots of feeding grounds. White egrets in the emerald green rice fields of summer is one of my favorite images of Japan. On my ride around Lake Biwa I saw many white egrets on the lake shore. I hope you enjoy these photos!




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